Either the leaders of Uttar Pradesh have lost their glory or the Hindi cinema people have accepted that UP is like that. These days the director of Chandra Prakash Dwivedi, who is making love story of Prithviraj and Sanyogita with Akshay Kumar and Manushi Chillar, introduced the world to his film ‘Mohalla Assi’, now it is like ‘Mirzapur’ and ‘Scorpion game’ Web series is reaching its peak. Uttar Pradesh tourism keeps tweeting throughout the day and tells the world about the characteristics of Uttar Pradesh and it seems that even before Delhi becomes a new film city, it seems that Hindi cinema will keep the tradition, reputation and identity of Uttar Pradesh as a abused state.
It is okay that abuses are a part of common conversation in normal life. But, friends do not even give such abuses to each other. The truth is that OTT content does not require censorship. But, it needs to be closer to reality. It is also important to understand the producers who understand their victory only by getting the applause from the hands of the Chavanni class audience that the fan of the crime based series is also the one who started watching films based on popular Hindi literature from the time of Gulshan Nanda. Had done it. All the films were made on Gulshan Nanda’s novels. Yash Chopra’s first film as a filmmaker, Daag was also based on one of his novels. ‘Scorpion game’ is also based on a novel of the same name.
In Hindi cinema, the process of making films on crime novels is also very old. Shashilal Nair made a film on Ved Prakash Sharma’s novel ‘Bahu Maange Insaaf’ in 1985 featuring Naseeruddin Shah, Om Puri, Rakesh Roshan and Supriya Pathak, ‘Bahu Ki Awaaz’. Lallu Jagadhar is all very later. Ekta Kapoor did the job well that gave credit to the original writer and also hired new writers. If the amount of abuses was reduced in this, then this series could have been the best crime series of this season. People from Divyendu are now setting hopes of moving beyond ‘Mirzapur’. But, he feels that the abuses will give a ‘salute to twenty-one guns’. Divyendu, who has been 37, may say that censorship on OTT is a stupid thing. But, the speed with which he abuses his series, he does not seem to have seen such a character in real life.
Well, the good things about ‘Scorpion game’ is that this series does not take much of your time. There are small episodes. They end quickly. Unlike ‘Taish’, if G5 makes this series a film and broadcasts it will be more beneficial. Tevar of the series is also a film. The hero of the story is Akhil. The father takes heart from his mistress in the shop where he works and loses his life. There is also the story of the murder of a Bahubali in the middle and Akhil himself narrates the whole story to the police officer Nikunj. In the language of filmmaking, this is called Non Linear Narration in which the story is told back and forth to the viewer.
The story is not weak. Simply, Ashish R Shukla’s direction is weak and Nangai is strong. There is suspense in the story, but the story does not stop even to breathe, until the effect of the action in this round is not established, then the matha starts to form. The music of the series is meant to be reminiscent of the bygone century, but has not become so popular. Kshitij Roy has done a great job in the technical team, but he should also avoid excessive.
Among the actors, Divyendu seems to be stuck in such a cycle of acting, from which it is now his thing to leave. Munna Bhaiya’s form affects them throughout the season anyway. Zeeshan Qadri’s best work in the series is from him. Trishna Mukherjee’s tantrum is good. Mukul Chadha’s case is a bit lighter. Rajesh Sharma and Satyajit Sharma have handled the thorn properly according to their respective roles. The work of Anshul Chauhan is also amazing and raises hopes for the future.
Artists: Divyendu Sharma, Rajesh Sharma, Syed Zeeshan Qadri, Anshul Chauhan and Trishna Mukherjee etc.
Director: Ashish R Shukla
How to watch Bicchoo Ka Khel all episodes online?
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