V Movie Story: DCP Adithya’s (Sudheer Babu) existence has the whole thing going for him, that is, until a criminal (Nani) comes to a decision to venture him. Who is the killer leaving our bodies and his signature ‘V’ in the back of and what does he should do with Adithya bureaucracy the story.
V Movie Review: A first-day-first-display after six lengthy months, that’s what went via many film buffs’ minds whilst it changed intointroduced that V will hit OTT. Even if the pandemic ensured the viewing revel inchanged into changed, many have beensportto seize a bathtub of popcorn and trap this cat-and-mouse chase the second one it released. The novelty of Mohan Krishna Indraganti making a criminal offens mystery changed into now no longer misplaced on anyone. But is the movies imply really well worth the hype that got here with it? Well…DCP Adithya (Sudheer Babu) is a super-cop, busting crime throughout Hyderabad. He’s Hyderabad Times’ Most Desirable guy for the yr 2019, beats up criminals and runs marathons via way of means of day, walks ramps and eventsvia way of means of night.
His existence is actually perfect, particularly so whilst the female he desires, a wannabe crime novelist known as Apoorva Ramanujan (Nivetha Thomas) appears to love him as tons as he likes her and so does her family. A collection of ugly murders via way of means of an unknown, mysterious guy (Nani), entire with notes addressing Adithya throw a wrench and venture him to step up his sport. What ensues is a chase that ends on a predictable note. Anyone who has grown up on Indian crime thrillers can scent the ‘twists’ in V coming from a mile away. Even as Adithya wrinkles his brow in each different scene to parent out what’s occurring as he discusses the case with Apoorva, who’s his newly appointed consultant, and irrespective of how tough the makers try and deflect suspicion on positive characters, you simply understand how that is going to end.
The songs via way of means of Amit Trivedi pop up at inopportune moments to try to set the mood (romantic for the maximum part) in a movie which you simply come to be wishing changed into tighter. Also, for a person who talks approximately how women aren’t pretty much crimson frilly matters and what now no longer, Apoorva certain isn’t given the hazard to step up or do tons. But now no longer all is misplaced, due to the fact Nani is right here to shop the day.
With tanned pores and skin shining, inexperienced eyes flashing, his person receives its very own candy time with inside the limelight. While scenes of him toying with fellow passengers for reasonably-priced thrills as he travels from Hyderabad to numerous locations do get repetitive (we get the factor you’re making, no want to reveal it twice) Nani revels in his gray person. He even elicits chuckles in a few scenes, bringing forth a overall performance that’s plausible of him as a person damaged past repair. He is the best beacon of wish in a movie that falls flat at times. Nani even receives a few whistle-worth moments and entries, notwithstanding being the antagonist of this story.
Sudheer Babu wavers because the super-cop he performs. He’s plausible with inside the movement scenes, particularly ones that require him to be shirtless. However, his overall performance, particularly in some key scenes, fails to make a mark. Nivetha Thomas and Aditi Rao Hydari’s characters have capacity, however wander off in all of the testosterone on display. They supply their high-quality to characters that continue to be fundamental and after a factor simply appear to be round to play catalysts in a story that’s approximately guys preventing it out.
Nivetha Thomas performs her person with a melodramatic contact and Aditi Rao receives one scene to reveal off her performing skills, however that’s approximately it. PG Vinda’s camerawork, Thaman S’ BGM and Marthand K Venkatesh’s enhancing do their high-quality to keep this movie collectively and that they do be triumphant for the maximum part. With V, Mohan Krishna Indraganti takes a big gamble and attempts to reveal that he can do greater than make feel-right dramas. And the movie he shows, notwithstanding the predictability, in reality has capacity to be greater. If best it rose past the same old tropes. This isn’t always an unwatchable movie via way of means of any measure, as it in reality has its moments so that it will make you need to understand what comes next. It’s only a disgrace that it doesn’t come to be to be as extremely good because it guarantees to be.